Jane is the anonymous first name par excellence. In 1960s Chicago, anonymous, determined women use it as a code name for a procedure prohibited by law: abortion. The film with Elizabeth Banks and Sigourney Weaver recounts the journey of these criminals from another time told by filmmaker Phyllis Nagy.
Author of the screenplay for “Carol”, screenwriter and director of the TV movie “Mrs. Harris”, playwright and director of many plays, Phyllis Nagy chose, with “We are Jane”, to go behind the camera of a screenplay she had not written.
“The screenplay had all the elements that I put myself in my texts, that is to say a light touch to talk about extremely serious subjects. I was fascinated by the idea of the collective in this group of women who come together to solve a problem,” the filmmaker told QMI Agency.
“We are Jane” is taken from a true story, that of the “Jane” in the 1960s in Chicago who allowed women to have safe abortions. Because, at the time, abortion was illegal in the United States. The true code name of a network of women determined to help each other, “Jane” was the person to call when one did not want to carry a pregnancy to term, whatever the reason. In the feature film, Joy, played by Elizabeth Banks, is a traditional housewife of the time who cannot continue her pregnancy. She calls on the “Janes”, meets Virginia (Sigourney Weaver), one of the group's founders, and begins to help them, going so far as to learn how to perform an abortion.
“There is no unwelcome melodrama, no hysteria, etc. in the script, all those things that sometimes characterize themed films in which women are at the center, especially feature films that deal with abortion”, a- she underlined.
A female subject par excellence, a right that is violently attacked in the United States at the moment, abortion is a sensitive issue that women must take up, says Phyllis Nagy.
“I think it's high time women were allowed to make films about women's issues. I believe that the “male gaze” [Editor's note: the male gaze on the female body] is a reality, regardless of the man, whether he is an ally or not. We just don't have enough women's works addressing these… shall we say… 'hot' topics.”
“A film like 'We Are Jane', co-written by a woman and a man, who is also a doctor, is important. It is important to allow works like this to breathe in today's world.”
And, just days before the famous midterm elections in the United States which could sign the strong comeback of the conservative right in Congress, Phyllis Nagy wants to be realistic.
“I am not optimistic. I'm never in such a way as to be pleasantly surprised if we get a majority in the Senate and grab a few more seats in the House of Representatives. I hope that the women of this country will vote on the subject of abortion. Otherwise, we are heading for even more difficult times.”
“We Are Jane” has been in theaters since October 28.
Katrine Johns has been a reporter on the news desk since 2013. Before that she wrote about young adolescence and family dynamics for Styles and was the legal affairs correspondent for the Metro desk. Before joining The Gal Post, Katrine Johns worked as a staff writer at the Village Voice and a freelancer for Newsday, The Wall Street Journal, GQ and Mirabella. To get in touch, contact me through my email@example.com 1-800-268-7128